Paul Allen Art Auction Breaks $1.62 Billion Record at Christie’s

Published on Apr 26

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Paul Allen Art Auction Breaks $1.62 Billion Record at Christie’s

A Billionaire’s Collection Sends Shockwaves Through the Art World

Just when you thought the art market couldn’t get any crazier, billionaire tech visionary Paul Allen’s art auction shattered every expectation. In November 2022, Christie’s hosted a two-day event that pulled in a mind-bending $1.62 billion. To put it simply, this is the most expensive single-owner auction ever—leaving the previous leader, the Macklowe Collection, with its $922 million finish, far behind in the dust.

Allen, who co-founded Microsoft with Bill Gates and later dove into everything from science to philanthropy, loved collecting art almost as much as he loved tech. His collection, known for its sweeping range and razor-sharp eye for masterworks, offered 155 pieces spanning over five centuries. Think about it: legendary names like Georges Seurat, Vincent van Gogh, Paul Cézanne, and Sandro Botticelli, all in one place. Each painting doesn’t just tell a story of artistic genius—it reflects Allen’s knack for finding the best of the best.

Masterpieces, Record-Breakers, and Global Frenzy

The numbers were wild even for the art world. On the very first evening, the sale hit $1.5 billion. Seurat’s ‘Les Poseuses’ nabbed more than $150 million on its own. Van Gogh’s ‘Kühe Weiden’ also cruised past the $150 million mark. Cézanne's 'Montagne Sainte-Victoire' and Botticelli’s ‘Three Miracles of Saint Zenobius’ were among other headline-gazers—these aren’t just expensive paintings, they’re slices of history with brushstrokes you could stand in front of all day. Every lot sparked serious bidding wars, with an average of over five bidders fighting for each work.

The auction room was a truly global melting pot. Buyers from Asia scooped up 28% of the most valuable pieces, pointing to the region’s growing power in the art market. And Christie’s drew in a healthy crop of new faces—about 15% of those registering had never even bid with the house before. The sheer size of the crowd, the flurry of paddles, the gasps as prices climbed: it was part high drama, part history lesson, and all fueled by Allen’s reputation for taste and vision.

Christie’s CEO Guillaume Cerutti couldn’t help but soak in the moment. He credited the explosion of interest to the unmatched quality of Allen’s picks and the philanthropic angle of the sale. Every cent from this record-buster is slated for charity, honoring Allen’s lifelong passion for giving back. But here’s where things get a bit complicated—art critic Blake Gopnik pointed out that Allen once hoped his collection would end up in museums, for the public to see. Instead, these masterpieces have mostly disappeared behind new doors and into private hands, sparking a fresh round of debate about what billionaire collections are really for.

Still, for anyone watching the headlines, there’s no denying that the Paul Allen auction has changed the game. It’s set new benchmarks for value and global interest, and will have dealers, artists, and collectors talking for years to come. This isn’t just about staggering sums or ticked-off records—these are works that shaped how we see art today, and for two wild days, they were at the center of the world’s attention.

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